Louÿs and his illustrators

At Abebooks, Beth Carswell lists “7 erotica books that are actually good.”

In 2002, Christopher Hart recommended ten works of erotica (from ancient to modern times).

Hart included The She-Devils by Pierre Louÿs, a friend of Claude Debussy’s who wrote book-length erotica from 1896 until 1917. (Louÿs didn’t make the Guardian’s 2005 list of “the top 10 sexy French books.“) Susan Sontag said that Louÿs’ book is “one of the handful of erotic works that achieve true literary status.” There’s an on-line catalogue of his works. Over the years, artists have provided some great illustrations for his books. Here’s an example from a book of poems called Pibrac. Here are some more pics by various artists.

Probably the best known work by Louÿs is his sapphic Songs of Bilitis (available on-line), an edition of which was illustrated by a Hungarian artist named Willy Pogany. Louÿs initially passed off Bilitis as the long-lost poems of one of Sappho’s courtesan friends.

Here are more of Pogany’s pics for Bilitis, and more again. Many of the best illustrators of the time provided art for the many editions of Bilitis, and in 1897 Debussy composed “Three Songs of Bilitis”.

For illustrations of Bilitis, I prefer those by Georges Barbier.

Illustration by Georges Barbier for Bilibis

There are several YouTube clips of Barbier’s work. Here’s the one for Bilibis:

Recent non-fiction and erotica

Brooke Magnanti’s (aka Belle de Jour’s) new book, The Sex Myth, reviewed.

Eric Berkowitz’s new book on the history of Sex and Punishment: “Berkowitz, a lawyer-cum-journalist, has used both his skills to extremely good effect. … Early on, when comparing Mosaic law with that of the earlier Middle Assyrians, and noting almost identical concern about what should happen if a woman attacks a man’s balls when fighting, Berkowitz observes that Deuteronomy was not necessarily dictated by God, but that “it appears that this Hebrew law was a reflection of a regional testicle fixation”.”

Sex and Terror: “In Sex and Terror, Pascal Quignard looks closely at this delicate interplay of celebration and terror. In startling and original readings of myths, satires, memoirs, and works of ancient philosophy and visual art, Quignard locates moments of both playful, aesthetic commemoration and outward cruelty.”

A collection of French surrealist texts on sex: “At one point, a heated debate takes place on the desirability of having sex with women who can’t speak French. In the end, all that’s established is that any consensus on these matters is impossible.”

A forthcoming issue of Signs devoted to sex, with a focus on early modern western Europe.

Nava Renek reviews The Unbearables Big Book of Sex: “The book is roughly divided into thematic sections; it moves from the human condition, reflected in sex, to the mundanity of the act, to the opposite of erotica, deviant behavior, sexual violence, some verse, and finally essays about sex or sexual behavior.”

Words Without Borders posts an issue devoted to sex, inc. the stories “The Hole in the Garden II,”  “The Hunchback and Botticelli’s Venice,” “Meow,” etc.

“For those of us who secretly read V.C. Andrews and The Story of O under the covers with flashlights in early adolescence, Tamara Faith Berger is our grown-up literary saint. Her prose has consistently traversed extreme, forbidden territory, infusing filth with intelligence and sophistication unseen in much of Canadian literature. Daring and candid depictions of sexuality are her legacy; first with the intensely pornographic and female-centric musings of Lie With Me, and later with The Way of the Whore, both of which cemented Berger as a perhaps unwitting standard for accurate depictions of rabid female desire.”

What do Swedes read? Elfriede Jelinek. “The novel runs wild and rampant, spilling sex into every crevice. It’s not a dirty book—it’s filthy. And while this is the opposite of the primness in some recent American fiction, it isn’t exactly the opposite of troubling.”

Top 10 most provocative books out this month.

Mostly Renaissance satyrs and nymphs

‘Diana and her Nymphs Surprised by the Fauns’ by Peter Paul Rubens (c. 1640)

The walls in Pompeii abound with satyrs pursuing nymphs and other erotic scenes, some displaying an amazing degree of copulatory acrobatics. In many homes, a proudly erect phallus in marble or bronze occupied a prominent place as a symbol of health and as a protector against evil.”

“Many pastoral dramas, which were frequently performed as part of marriage festivities, share a common formula: the resolution in five acts of the unhappy loves of nymphs and shepherds, threatened early on by the de-stabilizing sexual aggression of the satyr, and transformed in the fi­nal act into successful, socially sanctioned unions. … I will focus on the function of the satyr in five works: Giovambattista Giraldi Cinzio’s Egle (1545); Agostino Beccari’s Il sacrificio (1554), Tasso’s Aminta (1573), Guarini’s Pastor fido (1590), and, as a point of contrast, Isabella Andreini’s Mirtilla (1588).”

“The third and fullest section is devoted to ‘The satyr’s scene and Tasso’s Aminta‘, and is divided into three chapters. The first treats of the ‘return of the satyr’ and opens with a survey of this figure in the realm of the visual arts …. The second chapter treats of ‘Decorum and licence at court’, opening with the bronzes of fauns and satyrs owned by the Este family …. The third, and longest, chapter treats of ‘the satyr on stage’ and is an impressive analysis of this theme, from Giraldi’s Egle to Beccari’s Il sacrificio, Lollio’s Aretusa, and Argenti’s Lo sfortunato with their individual combinations of decorum and licence; [Fabio] Finotti closes with Tasso’s Aminta.”

Agostino Carracci, "Satyr" (1578)

After ‘The Mason Satyr’ by Agostino Carracci (c. 1578)

Aminta by Torquato Tasso (1573): “The closest Tasso come to license is the Satyr’s near-rape of Silvia (reported by Tirsi). But Silvia is saved by Aminta. In the end, although the lovers have been brought together, they will wait for the permission of Montano, Silvia’s father, before completing their bliss.”

One of the first female playwrights, Isabella Andreini: “Her first published work was La Mirtilla, a pastoral play that appeared in 1588. The Mirtilla capitalized on Isabella’s firsthand experience of the stage, re-writing a typical pastoral scenario with a pro-woman twist. In Isabella’s hands, the nymph Filli does not succumb to the misogynist snares of the satyr, but rather turns the tables on him, thereby inverting and satirizing a standard element of pastoral literature.

From The Prodigious Muse by Virginia Cox: “Viewed against Tasso’s model, [Isabella] Andreini’s rewriting of the nymph-satyr relationship is clearly transformative in a profeminist sense, emphasizing not the nymph’s vulnerability but her quick-wittedness and capacity to master brute strength by intelligence, a lesson that Andreini’s physical grace and agility would have doubtless made still more compelling on stage.”

‘Nymphs and Satyr’ by William-Adolphe Bouguereau (1873)

Il Pastor Fido (The Faithful Shepherd) (1590) by Battista Guarini: “Corisca is trapped by the Satyr who attempts to drag her off to a cave and have his way with her. They engage in a spirited exchange of insults before Corisca finally escapes because the Satyr has grabbed her hair only to discover that she is wearing a wig causing him to fall down as she flees.” “In 1605 Cardinal Robert Bellarmine wrote that Guarini’s play Il Pastor fido was more harmful to Catholic morals than the Protestant Reformation itself.”

“In the Renaissance, it was believed that satire originated from satyrs. The satirist Aretino promoted himself as a satyr, the natural being whose sexuality guarantees its truthfulness. Waddington shows how Aretino‘s own construction of his public identity came to eclipse the value of his writings, causing him to be denigrated as a pornographer and blackmailer.” Aretino’s “The School of Whoredom offers oblique references to the physical contortions expected of the serious professional (“the crane”, “the horizontal shuffle”, “the grazing sheep”), and precise instructions as to the most effective manipulation of the male member. But, for the most part, this book is about screwing with men’s minds, not with their bodies.” More about Aretino.

Priapus joined Pan and the satyrs as a spirit of fertility and growth, though he was perennially frustrated by his impotence. He attempted to rape the nymph Lotis but was thwarted by an ass, whose braying caused him to lose his erection at the critical moment and woke Lotis. He pursued the nymph until the gods took pity on her and turned her into a lotus plant. The episode gave him a lasting hatred of asses and a willingness to see them killed in his honour.”

‘Cult of Priapus’ by Agostino Carracci

Taking Positions is an innovative exploration of the place of the erotic in Renaissance art and culture …. [Bette] Talvacchia explores how sixteenth-century discourse used the terms onesto and disonesto–roughly analogous to the terms natural and unnatural in Catholic teachings about sexual sin–to distinguish between the erotic and the obscene. … She shows how explicit sexual representation was legitimized with a cover of ancient mythology.”

Circé by Thomas Corneille: “Acts 1-4 all contain divertissements drawn from traditions common to the pastoral and burlesque ballet:  songs by satyrs, shepherds, shepherdesses, dryads, and fauns, and dance-pantomimes by monkeys and furies.”

Cupid, Satyr and the Golden Age: “The book concerns the comparative exegesis and the narratologic analysis of major dramatic scenes from three pastoral tragicomedies: Tasso’s Aminta, Guarini’s Pastor Fido, and Antoine de Montchrestien’s Bergerie.”

A pair of Benvenuto Cellini’s bronze satyrs, one at the Getty Museum, the other in the Royal Collection at Buckingham Palace, which “has this sad feature in common with its Getty brother: both figures were emasculated (had their genitalia chopped off, is what I mean) and fig-leafed, perhaps in the 18th century.”

The Solar Plexus blog has lots of satyr pics, starting with these two.

Centaurs and the women who love them:

Exhibitionism

Natalie Wood“The nonverbal behavior of women toward men according to their menstrual cycle has not been previously explored. In this study, the gait of women walking ahead a male confederate was recorded with the help of a spy-camera. … Comparisons were performed according to the women’s ovulation phase measured with an LH salivary test. Near ovulation, it was found that women walked slower and their gait was subjectively rated as sexier.

Do women who like politics have more orgasms?

“This article looks at the position of the drag king in Hungarian lesbian culture. It focuses on Bandage, Socks and Facial Hair (2006), a documentary about a drag king workshop. The film documents the historical moment when the Hungarian workshop participants encounter the drag king as a lesbian tool for parodying and repoliticizing mainstream masculinity.”

“According to early modern European medical theory, men could menstruate vicariously through various bodily orifices. Although some medical men thought that the flow was pathological, others believed it brought significant health benefits. However, as the ability to control one’s body and mind became central to eighteenth-century definitions of manhood, leaky male bodies became increasingly problematic.”

Tony Perrottet’s article, “Who was Casanova?”

Danny Sutton photographed by Bunny Yeager

Source.

The Rule of Thumb: Vagina Types and Variability of Female Orgasm … What [Princess Marie Bonaparte] discovered was a direct correlation between the ability to orgasm through vaginal sex and the measurement of space between the vagina and the clitoris.”

“Traumatic penile amputation is a rare condition requiring urgent surgical consultation with almost immediate surgical intervention. … These injuries are penetrating in nature, usually occur with the organ flaccid and most are self-inflicted by mentally unstable patients. … This report describes penile replantation in a 24-year old mentally challenged patient using 4.5× loupe-magnification to restore a functional, fully erectile penis without tissue loss and a 20-year problem free follow-up.”

“Mediated exhibitionism is the phenomenon of amateur performers exposing their nude bodies on the Internet, and includes the exchange of nude images by email, text message, webcam, electronic bulletin board, and other means of digital communication. … A series of websites catering to mediated exhibitionism were investigated.”

“Research has shown men and women of all ages and sexual orientations to use the Internet for sexual purposes. For example, the Internet is used to access pornography, to find sex-related information, to purchase sexual merchandise, and to find partners for romance and sex. … The purpose of this chapter is to provide the reader with an empirical and theoretical overview of the first 15 years of research in the field of Internet sexuality.”

Elizabeth Taylor:

Elizabeth Taylor (by Roddy Mcdowall)

Dr. Geisel & erotica

Cléo de Mérode

“Red Light District: Beautiful photos of Parisian prostitutes (1950s-1960s)” They’re not nude.

Neither are these plump exotic dancers from the 1890′s. A sociologist connects those pics to Peter Stearns’ thesis that the plumper, curvier ideal of women’s bodies was replaced by today’s slimmer model in “the years between 1890 and 1910.”

But the characters in this Dr. Seuss book are nude: “In 1939, when [Theodor] Geisel [aka Dr. Seuss] left Vanguard for Random House, he had one condition for his new publisher, Bennett Cerf—that he would let Geisel do an “adult” book first. The result was The Seven Lady Godivas: The True Facts Concerning History’s Barest Family.”

“Beginning in 1869, inventors developed steam-powered massage machines for medical offices. By 1900, doctors had a wide variety of devices to choose from, helping relieve the tedium of digitally massaging female patients. Even better from medical professionals’ perspective was the invention of a hand-held vibrator in 1905, allowing women to treat their own hysteria without visiting a physician.”

Doonesbury banned: “Young woman arrives for her pre-termination sonogram, is told to take a seat in the shaming room, a middle-aged male state legislator will be right with her.”

Marie Deveraux

Photo via Lunette noires

““It was five or six years ago that I first began to notice more elderly men were going to soaplands,” the unnamed artist, a resident of Tokyo’s former licensed brothel quarters for over half a century, tells Sunday Mainichi (Jan. 29). “At one shop near Ueno, I’d say about 60 percent of the customers are seniors.”

Fifty Shades of Grey — an erotic novel sweeps the nation.

Brief bio’s of, and interviews with, successful erotica authors.

Lezard on Violette Leduc’s Thérèse and Isabelle: “So we are, in fact, a long way from pornography, although perhaps not too far from what pornography (written pornography, that is) tries to do: which is to make us believe in plausible minds behind the genitals, so that there is some agency behind the act. Anaïs Nin, obliged to write porn to make ends meet, had a natural instinct to make it more “artistic”; here, the art is the point. And it’s funny how the people who do this kind of thing best are the French.”

A 1929 Ziegfeld extravaganza:

Benny Hill, Lisztomania, and the barmaid’s outfit

Benny Hill got his start at The Windmill Theatre, which “was infamous for its risqué dancing girls and nude tableaux but it was a tough crowd for comedians who would make up part of the show. Not too many patrons were there for the jokes. … Hill had a strange relationship with women. He was very confused about the accusations of sexism in the latter part of his career. … But society around him had moved on and an elderly man surrounded or chased by very scantily-clad women made for uncomfortable viewing.”

From the FAQ section at Science Cheerleader: “The Science Cheerleaders are professional cheerleaders pursuing science careers who playfully challenge stereotypes, turn everyone onto science by encouraging participation in citizen science activities, and inspire the 3-4 million U.S. cheerleaders to consider careers in science, technology, engineering and math.”

“Now, thanks to The Icelandic Phallological Museum, it is finally possible for individuals to undertake serious study into the field of phallology in an organized, scientific fashion. The Icelandic Phallological Museum contains a collection of more than two hundred and fifteen penises and penile parts belonging to almost all the land and sea mammals that can be found in Iceland.”

On Ken Russell’s Lisztomania (1975): “The girls tear and claw at Liszt, who whips a harp from out of nowhere [and] … inspires them to summon out his trouser snake with a sweet siren’s song. Their lilting calls yield totally unexpected results as Liszt’s member expands and expands, finally ending up at a length of about ten feet.” Liszt is played by Roger Daltrey, the Pope is played by Ringo Starr. Somehow, Wagner and Hitler also get into this movie. Here’s a frame that I copied from the previously linked Cine-Miscreant:

The Rhine maidens in "Lisztomania"

“After outlining Marcuse’s theory of the role of Eros in social life, I discuss two pornographic Web sites that combine eroticism and social critique. I argue that Marcuse’s work is valuable for its emphasis on the intersection of sex, technology, and capitalist economy, but that it needs to be supplemented by a focus on masculinity and the male body in Internet pornography.”

“Jacobs describes an experiment in which she and a group of her students went to a Starbucks coffeehouse in Shenzhen to search for sexually explicit media on the Internet. The aim was to see what they could access through mainland China’s Great Firewall. “We were there for 30 minutes and we found all this porn using an Internet connection in a public space.” Pornography has been officially banned in China since the foundation of the People’s Republic in 1949. …
Subcultures of user-generated or DIY pornography have evolved on the Internet as a result.”

From Dyan Elliott’s The Bride of Christ Goes to Hell: Metaphor and Embodiment in the Lives of Pious Women, 200-1500: “The impact of Bernardine spirituality among the early Beguine mystics provides the impetus for a sensual, embodied, and ultimately eroticized bride of Christ. The tendency to express this spirituality somatically perhaps culminates in the matrimonial embellishments of later pious widows such as Bridget of Sweden and Dorothea of Montau.”

Karmen MacKendrick: “It is hard to see how one might have an obligation to others to feel the bite and burn of a well-wielded whip …. It is just as hard to see how it makes sense to say that one could have the right, just for oneself, to be broken out of that self, slammed against the sturdy boundaries of the ego until they break. … This shattering, exteriorizing intensity is an otherness that arises from within the focus on the body and its pleasures. … We, at least since Leopold von Sacher-Masoch first eyed the Lives of the Martyrs … have been inspired by images of the saints: Teresa, unspeakably joyous as the cherub’s arrow pierces her entrails; … Sebastian, serene with his multiple arrow-piercings; Catherine stretched and broken on the wheel.”

"Monna Vanna" by Franz von Stuck

According to Anne Dufourmantelle, “Philosophical ideas, like sexual enjoyment, exceed our control and can only come to us unbidden. Both offer the illusion that we can escape time and mortality into the timelessness of thought or the ecstatic moment of the sexual encounter. In sex we try to overcome our separateness and to connect with someone else. Likewise, philosophy tries to grasp a hidden world order in which everything is connected. Most importantly, in sex, one encounters another body, another world outside one’s own, and this unseats and transforms.”

“Although neither Severin nor his creator [Sacher-Masoch] appears in David Ives’s wildly intelligent and sometimes frightening new play, “Venus in Fur” (at the Classic Stage Company), it helps to have some knowledge of the novel and its author …. This sexual roundelay about power and powerlessness, about the imagination butting up against so-called “reality,” is played out by two contemporary characters.” That review’s a couple of years old.

Have you seen the article in the Atlantic about Jaroslav Flegr’s work, which links schizophrenia and car crashes to a brain parasite that we can get from cats? According to that article, male rats that have the parasite behave in more risky and even self-destructive ways and are more attractive to female rats than the more prudent males are. Well, now the folks at Improbable Research have linked to another of Flegr’s papers, which is called “Dominance, submissivity (and homosexuality) in general population. Testing of evolutionary hypothesis of sadomasochism by internet-trap-method,” (here’s the pdf of that paper).

Subcutaneous Penile Insertion of Domino Fragments by Incarcerated Males in Southwest United States Prisons: A Report of Three Cases: … In each case, an incarcerated Hispanic male or fellow inmate filed a domino into a unique shape for placement under the penile skin. Utilizing the tip of a ballpoint pen or a sharpened shard of plastic to create a puncture wound, each man inserted the domino fragment into the subcutaneous tissue of the penis. … Conclusions: Incarcerated males put themselves at risk for injury and infection when attempting penile enhancement with improvised equipment.” (via Improbable Research)

“The editors, who are also contributors to this book, begin by identifying themselves as “part of a generation of women currently entering the workforce as professors, researchers, lawyers, and other professionals who also worked during some part of our lives in the sex industry” (xi). “Flesh for Fantasy is devoted to destigmatizing the sex industry, illuminating the labor conditions of strippers, and revising the cultural connotations of exotic dance” (xxxii). It challenges the patronizing attitudes about sex work that have characterized most, but not all, feminist discussions until very recently.”

The distinction drew a line between sex and gender. Sex referred to the reproductive categories of male and female, and it was a useful biological concept, applicable to humans, nonhuman animals, and plants. Gender, on the other hand, indicates the socially constructed roles, behaviors, and traits of male and female. … The French philosopher Michel Foucault set the agenda when he lamented … that “the notion of sex made it possible to group together, in an artificial unity, anatomical elements, biological functions, conducts, sensations, and pleasures, and it enabled one to make use of this fictitious unity as a causal principle.”"

“On the evening of May 29 [1912] at Théâtre du Châtelet in Paris the audience was scandalously titillated (or titillated scandalously) as they watched Nijinsky’s erotic pleasure dancing the lead to Claude Debussy’s Prélude à L’Après-Midi d’un Faune. The audience was captive to and captivated by the great exhibitionist in a dark brown and white costume designed by Léon Bakst and based on a Greek satyr … enthralled with his erection the size of a tree trunk.” Here’s Nijinsky about to scandalize Parisians by simulating masturbation with a nymph’s scarf:

Nijinsky as the Faun about to pounce on a nymph's scarf

Barmaid’s risqué outfits cause gender divide in Italian town: … The female mayor of the town has called the 34-year-old barmaid a threat to public order, because her miniskirts, high heels and skimpy tops are drawing male customers from up to 70 miles away, who clog up the nearby streets with their cars and park illegally.”

“A how-to guide for better masturbation that hangs in Skidmore College bathrooms is steaming up the campus in more ways than one. The [guide], published by the college’s Center for Sex and Gender Relations, encourages masturbation as “a great way to relieve some of the stress that comes with classes, finals and the never ending homework.” The poster shows a map of the body’s erotic zones and offers suggestions for heightening self-pleasure.”

David Barash on “The Evolutionary Mystery of Female Orgasm” Parts 1, 2, and 3.

Uncanny photo erotica by a Russian artist.

Here’s a kinky scene from the 1963 film of Jean Genet’s The Balcony. The cast included Peter Falk, Leonard Nimoy, and Shelley Winters. The actors in this scene are Ruby Dee and  Peter Brocco.

Frisky elk, the iceman cometh, and sharia law on sex robots

“Since 1995, [75-year-old Professor Judith] Hanna, a University of Maryland [anthropology] researcher, has helped clubs repel efforts to tax, regulate or close them, arguing more than 100 times that striptease is just as much an art as ballet. Next year, her lap-dances-are-art argument will be part of an appeal before New York’s highest court. A stripper in heels is like a ballerina en pointe, she says.”

Reframing sexual differentiation of the brain: … The dominant model of sexual differentiation stated that genetic sex (XX versus XY) causes differentiation of the gonads, which then secrete gonadal hormones that act directly on tissues to induce sex differences in function. This serial model of sexual differentiation was simple, unifying and seductive. Recent evidence, however, indicates that the linear model is incorrect and that sex differences arise in response to diverse sex-specific signals originating from inherent differences in the genome and involve cellular mechanisms that are specific to individual tissues or brain regions.”

Disrobing Associated with Epileptic Seizures and Forensic Implications: … Two cases involving disrobing associated with seizures …. An additional case reveals the legal consequences endured by one patient who experienced a nocturnal seizure and began wandering in an unclothed state. Collectively, these cases illustrate the medical reality of seizure-related disrobing and the related adverse effects on patients’ quality of life.”

Pharyngula on an unfortunate woman with two vaginas: “In didelphys, the vagina is divided in two by an internal septum, nothing more.”

The 1st lesbian scifi novel: “Which makes Gregory Casparian’s The Anglo-American Alliance. A Serio-Comic Romance and Forecast of the Future (1906), the first lesbian science fiction novel, all the more notable.”

Sex Differences in Sports Across 50 Societies: … In all 50 societies with documented sports, there were more male sports than female sports; hunting and combat sports were almost exclusively male activities; and the sex difference in sports was greater in patriarchal than in non-patriarchal societies. These results show that a robust sex difference in direct physical competition co-occurs with meaningful variation in its expression.”

The origins of [circumcision] are lost in antiquity. It was performed since 3000 BC by the Egyptians for hygienic and religious reasons. … Nowadays, circumcision is performed as a routine procedure by the Jews and the Muslims for religious reasons. The world prevalence of men with circumcision is 12.5-33%, especially in USA, Canada, Islamic people and Africa; in Europe the prevalence rate is low (in Great Britain it is 1.5%).”

Dr. Petra on average penis size: “The other problem with this area is studies differ in how they operationalize their measuring of penises. Some relied on lab based studies where men were measured by researchers, others based their work on self-reports from men …. Some studies were based on erect penis measurements; others relied on stretching a flaccid penis as far as it could be pulled and measuring that as an approximation of a hard-on.”

“[Historian Ivan Crozier] explores how koro – the fear that the genitals are fatally shrinking into the body – has been central to the definition of the ‘culture-bound syndrome’.”

“Damage to parts of the penis vital for proper erections has been repaired for the first time with the help of stem cells. In rats, the treatment restored full erections, improved blood flow and accelerated healing.”

Ethical and Legal Implications of Sex Robot: An Islamic Perspective: … This study first review the state of the art in sex robot and its associated ethical and legal issues. Secondly the issue is evaluated from Islamic perspective together with position of Islamic law (Shariah) towards the deployment of robot in sexual activities. The social effect of robot sex to the institution of marriage in particular is examined.”

“‘Imagining Cihuacoatl’ examines the conundrum of the multiple identities of the ‘serpent woman’, a Mexican goddess, analysing her relationship with other goddesses in the Nahua pantheon. She and the others were marked in a particular sexualised and gendered manner in the Nahua world. This article argues that Cihuacoatl and the fertility goddesses cannot be conceptualised in a symbolic universe that has binary divisions between male and female, nor can they be analysed by the methods currently employed in the social and cultural history of sexuality.”

“Jonas and Wyatt Maines were born identical twins, but from the start each had a distinct personality.” “The twin boys were identical in every way but one. Wyatt was a girl to the core, and now lives as one, with the help of a brave, loving family and a path-breaking doctor’s care.”

“Airborne molecules that elicit a reaction in a member of the same species are called pheromones, and the most famous ones are potent aphrodisiacs, like androstenone and androstenol in the saliva of male boars. If a fertile female gets a whiff of these molecules, she’ll present her rear to the male, a universal gesture in wild pig patois that means, “Let’s start a family.””

“Swede shocked by backyard elk ‘threesome’: … While he’s used to seeing elk get tipsy from eating fermented apples, Lundgren said he was wholly unprepared to have a front row seat at an elk sex show taking place in his backyard. “I’d never seen anything like it. Not with elk, at least,” he said. … “An older bull would never try to mount a cow in a wide-open residential backyard at this time of year,” [said Pär Grängstedt, researcher at the Grimsö research station].”

British banker leaves Goldman Sachs to start a custom-fit condom company.

Bollywood actors and filmmakers interviewed about shooting sex scenes.

Typewrite erotica c. 1920′s, inc. some nudes.

Weimar to postwar links

“Reexamining Weimar Germany via the Politics of Prostitution” — a review of Julia Roos’s Weimar through the Lens of Gender.

On Magnus Hirschfeld: “This article considers the two major biographies of sexologist Magnus Hirschfeld, MD (1868—1935), an early campaigner for ‘gay rights’ avant la lettre. Like him, his first biographer Charlotte Wolff (1897—1986) was a Jewish doctor who lived and worked in Weimar Republic Berlin and fled Germany when the Nazi regime came to power.”

A German lesbian film from 1931: “I’m going to be talking about Mädchen in Uniform (1931). It’s not the first girl-on-girl kiss of cinema (Marlene Dietrich snagged that one in Morocco in 1930) and it’s not the first time the idea of a real life lesbian had been portrayed (see aforementioned Pandora’s Box, 1929) But it WAS the first time something this lesbian graced the silver screen. … It’s nearly impossible to get a good print of the film anyway  because when the Nazis came to power, they banned the film and attempted to burn all existing copies.”

Berlin’s Lesbische frauen — on a 1920′s guide to Berlin’s lesbian clubs: “Equally chic, but definitely more late-night was Le Garconne on Kalkreuthstrasse, owned by Susi Wanowski, the former wife of a Berlin Chief of Police but now the lover and manager of Wiemar-era wild-child, Anita Berber.”

Some info about Berber in a clip from Berlin — Metropolis of Vice:

“Fascism and the Female Form: Performance Art in the Third Reich” by Terri J. Gordon, from a collection called Sexuality and German Fascism.

“The Man Who Started the Sexual Revolution”: “Twenty years later, his curia-like Vienna Psychoanalytical Society was attracting a new generation of followers after the war, among them an impecunious student from the provinces, Wilhelm Reich.”

“Sixty Years of Beate Uhse”: “In the early days of her company, the target groups of this entrepreneurial woman celebrated as the “orgasm muse,” “sexpert” and “love slave of the nation” were not hedonists or the sexually adventurous, but women rebuilding Germany from the rubble of the war.”

“Sexual science and self-narrative: epistemology and narrative technologies of the self between Krafft-Ebing and Freud” : “Starting from the psychiatric problematization … of the concept and the object called ‘sexuality’ in the second half of the 19th century, it attempts to show a series of continuities and discontinuities between this kind of reasoning and the birth of psychoanalysis in the first years of the 20th century.”

"Procuress" by Otto Dix (1923)

A note about the Freud-Spielrein-Jung film, A Dangerous Method: “In many ways, the film is a well-made hybrid of ideas movie, masterly costume drama, and, frankly with Knightley onboard and some spanking sex, a touch of S&M soap.”

Verfolgt takes place in present-day Hamburg and tells a story about fairly ordinary people under extraordinary circumstances. It shows their discovery of sadomasochism – gritty, awkward, human, unpretentious, and ardent.”

Nothing in theatre elevates the identity of actor over character more completely than nudity. Yet as a performance or spectacle, nudity remains a form of masking, insofar as it amplifies the desire to discover, to expose something hidden by clothing.”

The Museum of Sex posted some old erotic art by Franz von Bayros, and here are some amazing erotic bookplates by the same artist.

Snippets from the history of the US sex trade

Photo by Inez van Lamsweerde

Guide to 150 NY brothels in the 19th Century: “Only this palm-sized book, published in 1870 and long hidden away at the New-York Historical Society, did not confine its anonymous critique to the quality of wines or the ambience of the 150 establishments listed between its covers. Rather, it defined its role as delivering “insight into the character and doings of people whose deeds are carefully screened from public view.””

“Nineteenth-century middle class reformers were surprised when young women who traded sex for money observed that they only did what wives did, and without having to clean house, too. Elizabeth Clement builds on this connection between marriage and prostitution by focusing on the evolution of “treating” in early twentieth-century New York City. She attempts to discover why and how prostitution and treating came to divide so sharply that we now believe prostitutes and their customers engage in behavior that is outside the bounds of “decency,” while teenage girls who trade sex for a movie are just behaving naturally.”

Addresses of 135 San Francisco brothels in 1937: “The San Francisco Examiner reported in March 1937 that private investigator Edwin Atherton, hired by the city to investigate police graft, delivered a list of 135 long-term brothels, called “resorts,” to the Grand Jury investigation police corruption, finding bordellos in neighborhoods from South of Market to North Beach.”

“And in the worst economic downturn since the Great Depression of the 1930s, more and more women have … been looking to professional domination as a possible source of income.”

"Civil Defence" by Ed Weston

52-year-old NY prostitute will soon retire

Prostitution in 19-Century New Orleans: “These “fast females” lived violent, public lives. But underneath it all was a harsh economic reality. “No work, no money, no home,” one prostitute said, describing the choices she had.” Storyville opened in NOLA as a “segregated district of legal prostitution.” More here.

FORA.tv – Porn, Peep Shows and Public Space. What is the relationship between public and private within evolving urban and commercial environments?

Photos of Lili St. Cyr.

Gettin’ medieval

From a medieval mural

Image from here. “Workers restoring a medieval communal fount … in the Tuscan town of Massa Marittima discovered a curious mural hidden behind a whitewash layer. It depicts a tree heavily laden with … phalluses under which eight or nine women stand in various poses and large black birds fly. Experts think the fresco dates to 1265 …. The experts who carried out the restoration have been accused of sanitising the mural by scrubbing out or altering some of the testicles, which hang from the tree’s branches along with around 25 phalluses. “Many parts of the work seem to have been arbitrarily repainted,” said Gabriele Galeotti, a town councillor who has called for an investigation after seeing the finished work.”

More about that Tuscan mural: “We have an image of two women who appear to be locked in serious combat over one of these phalluses, so this supposed fertility symbol that ought to bring life and goodness is in fact bringing strife to the people fighting over it. More importantly, there is a woman on the left side of the mural … standing quite demurely, until you realise that she’s being sodomised by one of these phalluses. You can’t get pregnant by sodomy – it’s the ultimate in non-fertility.”

Medieval Obscenities examines the complex and contentious role of the obscene … in medieval culture from late antiquity through to the end of the Middle Ages …. The essays examine topics as diverse as Norse defecation taboos, the Anglo-Saxon sexual idiom, sheela-na-gigs, impotence in the church courts, bare ecclesiastical bottoms, rude sounds and dirty words, as well as the modern reception and representation of the medieval obscene.”

A course in medieval sexuality: “I am trying to offer “samplings” of four inter-related things …: 1) how sex and sexuality are treated in medieval texts (literary and otherwise), in both “official” and more subversive registers; 2) how sex and sexuality in the Middle Ages are analyzed in contemporary medieval scholarship; 3) how sex and sexuality are historicized in contemporary critical sexuality studies; and 4) how sexuality and sexual identity have been taken up by some contemporary artists.” Here’s the syllabus.

“Albrecht Classen argues in his recent monograph that the chastity belt is nothing more than a myth that has been propagated throughout the centuries. To prove his point, Classen meticulously retraces the making of this myth by carefully reading the relevant secondary literature dealing with the chastity belt literature that dates from the eighteenth century onward.”

Scene from ‘Up the Chastity Belt’ (1971)

“Gerald [of Wales] sexualizes this bond between the Irish and their culturally revered beasts, insisting that through coitus with their livestock Irishmen had engendered numerous man-animal hybrids, Hibernian minotaurs. … Gerald also wrote of a woman who had sex with a lion and another who lay with a goat. So great was his distaste for the subject that he even illustrated the bestial encounters in prurient detail.”

Tony Perrottet on the Vatican’s pornographic bathroom: “Like his peers, Bibbiena was entranced by the ribald pagan imagery that was being unearthed in Imperial Roman ruins. He asked his friend Raphael to decorate his lodgings in the fashionable classical style, complete with naked nymphs being spied upon by lusting satyrs, with no anatomical detail hidden. Subsequent residents of the Vatican Palace were unimpressed.”

Speaking of the Vatican … “Weltbild publishing group is co-owned by 12 German dioceses which have now agreed to sell their share in the profitable enterprise as soon as possible. They decided on the move because Weltbild’s book range includes steamy pulp novels with titles like Boarding School for Sluts and The Lawyer’s Whore.

“By the late Middle Ages, chaste marriage had emerged as an attractive model for pious laypeople who, for whatever reason (including an arranged marriage), had been unable to take up a formal religious occupation. Perhaps the most notorious example was that of the married mystic Margery Kempe, who basically bought off her husband by agreeing to cover his (considerable) financial debts if he would discharge her ‘marriage debt’ and agree to stop having sex with her.”

“One was the burial of a female, with which archaeologists found a bag of 17 dice.  It was prohibited for women to play dice in the Medieval era, so … she may have been a prostitute, buried with a symbol of immorality. The other burial … may have been that of a witch.  … Seven curved nails, each about 4cm long, were found in her mouth.  In addition, 13 more nails were found in an outline around her body, which the archaeologists suggest reflect her being nailed to the ground by her clothing.”

“Zika discusses the relationship between vessels, like cauldrons, and women’s sexual organs. Women’s sexuality was associated with unruliness and destruction, so it was sufficient merely to depict sexualized women; there was no need to additionally picture them engaged in malevolent acts to signify witchcraft, so powerfully depicted for example in Hans Baldung Grien, A Group of Witches (1514) or his Weather Witches (1523).”

“Witches’ Sabbath” by Luis Ricardo Falero

Hildegard of Bingen’s 12th-century description of orgasm: “When a woman is making love with a man, a sense of heat in her brain, which brings forth with it sensual delight, communicates the taste of that delight during the act and summons forth the emission of the man’s seed. And when the seed has fallen into its place, that vehement heat descending from her brain draws the seed to itself and holds it.”

“The inquisitional register of Jacques Fournier from the years 1318-1325 … reaches far beyond the topic of heresy. It encompasses various details about the common life, including sexuality and sexual morals. This case study reconsiders the normdeviation model on the basis of four Fournier’s trials dealing with sexual morals: that of Beatrix of Lagleize, Peter Vidal, Arnold of Verniolles, and Grazida Lizier. Sexual morals of these four people are certainly very different from the morals required by Jacques Fournier.

“In 1700 Abbé Jacques Boileau, a Parisian canon and doctor of theology at the Sorbonne, published a vigorous critique of the practice of religious self-flagellation. Titled Historia flagellantium, the treatise railed against the pagan origins of voluntary flogging, its lack of biblical precedent, and especially its ability to “awaken unchaste movements” in the body.”

“St. John [of the Cross], like other mystics such as St. Theresa of Avila, used the language of courtly love to describe his relationship with Christ. He also discussed, with rare candor, the sexual stimulation of prayer, the fact that mystics experience sexual arousal during prayer. With the male Christ of course, this amounts to a homoeroticism of prayer.”